Entry tags:
Smallville: Infamous
Just some quick reactions, because I have a bazillion things to do tonight.
I wish I had remembered that Clark had themagic reset button time travel ring, because I spent the first half of the episode terribly anxious about how they were going to fix all this, since obviously he couldn't really go public as himself.
Things I really loved
1. All the Clark-Lois stuff. Oh my god, the revelation scene was just *perfect*. I love that she didn't believe him at first (liquid lunching, hee!) and that her first reaction is that maybe she should stop calling him Smallville. (NEVER, Lois!) And Clark's "you're speechless, that's never a good thing" was great. Though I felt really really bad for her when she found out Lana and Chloe already knew (and even more heartbroken in the scene right before Clark changes history and he tells her he's not going to tell her. Ouch ouch ouch). But continuing my discussion of the revelation scene: I just thought her emotional reactions--from awe to kicking herself for not figuring it out to embarrassment that Clark can see through things--were all so Lois.
And even though Clark is clearly not quite where Lois is, emotionally speaking, I did like his acknowledgment in the revelation scene that she's the best reporter to tell the story too--and him telling her, in the barn scene, that it's *because* she's special that he's not going to tell her the truth. Oh, Clark, Clark, Clark. At least you're consistent: you have to protect your love interest from your secret, it's just now Lois is in the place Lana used to be.
I'm ok with this, though, not only because canonically she can't know yet, but also because we have a whole additional season to get through, so they need to stretch the Lois-Clark romance out for a while. And even though I kind of wanted to bop Clark over the head in that end scene (oh, Clark, you can choose to be happy, really!) and I felt heartbroken for Lois and her denial (I'm following a lead), at least that reinforced that Clark *does* have feelings for her. They better spend a lot of time on this romance next season, though, because it's one of the few things still holding me to the show.
2. Linda Lake: because much as I hated her (and I *really* hated her--I was actually cheering when Davis smothered her, which is not a moral position I like to be in) she was a fantastic villain.
3. The price of time travel: I really liked the continuity here, that in this universe time travel does have a price, and in this case the price was to push Davis further along the pathway toward total takeover by Doomsday. Though actually I thought the real cost was that Chloe is never going to hear Davis make that confession, which is truly tragic. I feel so bad for Davis, since there's obviously nothing he can do to stop this. It's sort of like Lex's whole storyline compressed into one season.
4. The price of heroism: Because although it was very compressed (poor Clark, I wish he'd gotten a little more of the hero worship before he got arrested by Homeland Security) I think the episode did an excellent job showing exactly why Clark needs a secret identity. My favorite part of this, I think, was the teenage girl who threw herself off the balcony so Clark would catch her. Because, c'mon. Who among us (if we were 15) wouldn't try something like that to land in Clark's arms? :-)
I wish I had remembered that Clark had the
Things I really loved
1. All the Clark-Lois stuff. Oh my god, the revelation scene was just *perfect*. I love that she didn't believe him at first (liquid lunching, hee!) and that her first reaction is that maybe she should stop calling him Smallville. (NEVER, Lois!) And Clark's "you're speechless, that's never a good thing" was great. Though I felt really really bad for her when she found out Lana and Chloe already knew (and even more heartbroken in the scene right before Clark changes history and he tells her he's not going to tell her. Ouch ouch ouch). But continuing my discussion of the revelation scene: I just thought her emotional reactions--from awe to kicking herself for not figuring it out to embarrassment that Clark can see through things--were all so Lois.
And even though Clark is clearly not quite where Lois is, emotionally speaking, I did like his acknowledgment in the revelation scene that she's the best reporter to tell the story too--and him telling her, in the barn scene, that it's *because* she's special that he's not going to tell her the truth. Oh, Clark, Clark, Clark. At least you're consistent: you have to protect your love interest from your secret, it's just now Lois is in the place Lana used to be.
I'm ok with this, though, not only because canonically she can't know yet, but also because we have a whole additional season to get through, so they need to stretch the Lois-Clark romance out for a while. And even though I kind of wanted to bop Clark over the head in that end scene (oh, Clark, you can choose to be happy, really!) and I felt heartbroken for Lois and her denial (I'm following a lead), at least that reinforced that Clark *does* have feelings for her. They better spend a lot of time on this romance next season, though, because it's one of the few things still holding me to the show.
2. Linda Lake: because much as I hated her (and I *really* hated her--I was actually cheering when Davis smothered her, which is not a moral position I like to be in) she was a fantastic villain.
3. The price of time travel: I really liked the continuity here, that in this universe time travel does have a price, and in this case the price was to push Davis further along the pathway toward total takeover by Doomsday. Though actually I thought the real cost was that Chloe is never going to hear Davis make that confession, which is truly tragic. I feel so bad for Davis, since there's obviously nothing he can do to stop this. It's sort of like Lex's whole storyline compressed into one season.
4. The price of heroism: Because although it was very compressed (poor Clark, I wish he'd gotten a little more of the hero worship before he got arrested by Homeland Security) I think the episode did an excellent job showing exactly why Clark needs a secret identity. My favorite part of this, I think, was the teenage girl who threw herself off the balcony so Clark would catch her. Because, c'mon. Who among us (if we were 15) wouldn't try something like that to land in Clark's arms? :-)
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With most villains, I can understand them and a few I even had some empathy for. But Linda Lake, what is it about her? I think it was her glee at ruining people’s lives. I’d have to rewatch the original episode she was in but, I don’t get any motive from her except that she wants to be at the top and she’ll step over anyone to do so. Most other villains, I grok their, “The world is against me, angst!” but not so much from Linda. What I get from Linda is she sees others being less than stellar humans and decides for herself if that’s what it takes, then whatever.
You know, I wish Davis had been a 2+ year arc instead of a half season. I want to really really really love a character before having my heart torn — especially when dealing with a character who, unlike Clark and Lex, has no free will in his destiny.
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I don't think it's trust, I think it's Clark's thing about the toxicity of his secret. (And he didn't even see the worst of it--I mean, Jimmy being turned away from the hospital because Chloe is Clark's friend? Annoying and probably illegal, but also likely to underscore just how dangerous the secret is). But I get your broader point about how this is going to make the REAL reveal--which we damn well better see at the end of next season, or I will bomb the CW--sweeter.
I agree with you about Linda Lake not being an empathetic villain--that's kind of what I liked. Sometimes you're just in the mood for moustache-twirling evil without any shades of gray, you know? (A nice contrast to the Davis arc, really).
Your comment made me realize I should have added another bullet point above: I *love* that the show acknowledged Martha still exists, even if it's in offscreenland.
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Linda Lake was a pretty good villain ... but I'm glad Davis knocked her off ...
And I'm glad that they showed the price of time travel ... and that changing one thing changes a whole bunch of other things ...
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Yeah, I'm very happy the time travel had an actual consequence.
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ITA. And so well played by ED.
//And even though Clark is clearly not quite where Lois is, emotionally speaking, I did like his acknowledgment in the revelation scene that she's the best reporter to tell the story too--and him telling her, in the barn scene, that it's *because* she's special that he's not going to tell her the truth. Oh, Clark, Clark, Clark. At least you're consistent: you have to protect your love interest from your secret, it's just now Lois is in the place Lana used to be.//
That's exactly what I thought too. TW was so great in the ep as well. Often when he didn't even had dialogue, he did a terrific job of conveying all his mixed emotions.
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TW was so great in the ep as well. Often when he didn't even had dialogue, he did a terrific job of conveying all his mixed emotions.
Oh, yes. He was very expressive in all those scenes with Lois, even when he didn't have lines.
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Maybe that's why Clark didn't hang around to hear Lois out, though. Knowing too much about one's future can cause serious consequences. He wanted to get the heck out of dodge as soon as possible.
I know they didn't really show us that he was thinking along those lines, but given the show's neverending time constraints in trying to fit everything in to one episode, its a plausible explanation along with them not really wanting Clark to know that Davis is Doomsday.
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I definitely agree with you that it's tragic he won't be able to prevent what's coming--I just have a hard time holding Clark accountable for not waiting on Lois when it so obviously seemed to me to be a plot contrivance. (I mean, I know canon means accepting what is on the screen, but since there didn't seem to be an organic character reason why he *wouldn't* wait ten seconds to hear what Lois had to say, I have a hard time blaming Clark for it.)